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A-Markov

Alex Markov
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I am in a very small minority.    

I liked Dragon Age II. 

I liked Dragon Age II a lot. 

Dragon Age II is my favorite of the Dragon Age games.

WHAT?!?!?!?

You read that correctly, but I’ll say it again.  Dragon Age II is my favorite of the Dragon Age games.

Before you make any assumptions, let me answer a few questions that might have sprung to mind. 

Yes, I played Origins.  Yes, I played Origins before I played DA:2. Yes, I played Inquisition.  Yes, I played Inquisition a second time. And, having played Origins, DA:2 and Inquisition, DA:2 is still my favorite. 

I won’t claim it was the best “gaming experience” or the “best game of the series.”  I think that “best game” is a very subjective conclusion and really depends on what your benchmark is. If your definition of “best includes super big maps and free-range roaming, it isn’t the best one.  If your definition of “best” includes complete control over every aspect of your armor, it isn’t the best one.  If you like to be a world-saving hero, DA:2 is definitely not your best choice. But, it is my favorite.  I know all the arguments for why it sucks.  I’ve heard them over and over again but let’s list ‘em for the record.

-limited area
-limited combat mechanics
-limited number of maps
-limited choices
-limited crafting
-limited scope

Let’s start with the fact that all of these complaints share a common phrase.  It is a “truth” understood by all who discuss this, but I’d like to bring it from the shadows of unspoken assumption and out into the light.  The phrase is: “in comparison to Origins”

The game was limited in all these areas when compared to Origins.

Now, I’m not claiming that it shouldn’t be compared with Origins.  After all, it is a “Dragon Age” game.  It is a sequel. (Or I have been completely misinterpreting that whole “2” thing for my entire life.) And this is where BioWare made their mistake.  Had they called it “Dragon Age: Kirkwall,” or “Dragon Age: Templars vs. Mages.” They might have avoided much of the backlash.  Because the bottom line is, those criticisms are not invalid.  DA:2 is limited in comparison to Origins.

Origins was a wide, sweeping, heroic narrative with a staggering amount of player-controlled minutia. In comparison, DA:2 was limited.  As a result, most of the fans of Origins threw down their controllers and stalked off into a corner to whine about how BioWare had stolen all of their toys.  Those who didn’t quit playing in a fit of pique at the beginning, found themselves in a completely different style of story.  Origins was the story of a grand hero on a quest to save the world.  In DA:2, the story revolved around a much more tragic figure.   

In Origins, you saved the world from the blight.  In DA:2, you couldn’t save your Sibling from the ogre.  You couldn’t save your mother from the serial killer.  You couldn’t save your other sibling from the blight/the circle/their own stupidity.  You couldn’t save your city.  You couldn’t save the world. You couldn’t save anything.  You were powerless.  In the end, I think that’s why people really didn’t like the game.  It was a tragedy.  The changes to the mechanics and the perceived limitations are convenient excuses because players couldn’t (or just didn’t want to) wrap their minds around the tragedy of it all. Hawke’s life sucked!

So, why did I like it?  Well, I like tragedies. Have you read my stories? They’re angst-ridden tragedies where the main characters barely survive. (most of the time they survive… half the time… sometimes… OK, once.)  I like the story of the poor schmuck who does his best and shit still goes wrong. 

Life sucks.

Really, it does!  I’ve lived quite a bit of it and it mostly sucks.  A lot. 

At the end of DA:2, my version of Hawke had survived the shit storm and somehow managed to find love. (which is actually the plot of all the stories I’ve ever published here or over at ffnet.)  Sometimes, that’s all you can hope for.  Sometimes, it’s the best that you can hope for.

In Origins, you’re the hero.  You save the world.  You are, in fact, the most interesting person in the world.  (I don’t always stop the blight, but when I do, I bring along a half-naked witch.) You’re so damn interesting that it takes six stories to tell your tale.  Your companions, however, are stereotypical fantasy tropes; the reluctant heir, the seductive spy, the glib assassin, the drunken dwarf, the gruff military man, the mother and the heretical witch.  The most interesting characters are a golem, who is experiencing freedom for the first time, and a dog. These one-dimensional characters fill in the world around you but you are most definitely the star.

Hawke, by comparison, is not very interesting.  A nobody, from nowhere, just trying to survive. I found most of Hawke’s friends to be much more interesting and engaging than most of the companions from Origins. (Alistar was very funny but that wasn’t enough.)

I connected to each of them, had a torrid affair with Isabella, commiserated with Anders about the fate of the mages, fought bandits with Avaline, raged and brooded with Fenris, Laughed with Varric and eventually fell in love with Merrill.  Sebastion was boring and I never really connected with either Bethany or Carver.    Three of the characters were uninteresting to me in DA:2 whereas only three of the characters in Origins were interesting.

The entire time I was playing Origins, I paused at each decision and tried to figure out how my choices would affect the final outcome of the game. I worked the angles and manipulated the characters and situations, trying to affect a specific response or result.  It was an interesting exercise and very entertaining but I never forgot that I was playing a game. 

While playing DA:2, I found myself thinking about how my friends would feel about my decision. I made my decisions based on how I thought they would react. BioWare invested me in the characters of DA:2. I never really worried about how a decision would affect the overall game world but I constantly thought about how my companions would feel about it.  I don’t understand how anyone would play a rivalry with any of them. I genuinely liked them all, even the boring ones.

Which brings me to the reason why DA:2 is my favorite of the series. 

It’s been close to two years since I first played DA:2 and I am still angry at Anders

I’m not angry at BioWare… or the writers… or the game.  I’m angry at Anders.  Nearly two years down the road, I’m still mad at him. I thought he was my friend.  I really liked him and sympathized with his predicament and the predicament of all mages.  Hell, my sister was a mage.  She got taken to the circle.  I didn’t want her abused or made tranquil.  I was working on making things better for the mages, trying to smooth out the tensions between them and the Templars when he made his “grand gesture.” To this day, I’m sure I could have convinced the Grand Cleric to step in and mediate and we would have dealt with the crazy Knight Commander.  I could have done it. I had a chance to just live peacefully with my best girl.  But Anders had to make his bold statement and plunge my city into fucking chaos. 

I killed him, of course.  It tore me up inside, but I didn’t have a choice. He was insane.  He might have had a noble ambition at one time but destroying the Chantry is the act of a madman who just wants to watch the world burn.  His death didn’t stop the war he started but I think he knew that already.

I’m still pissed at him.

The entire time I was playing Inquisition, in the back of my mind, I was wishing that I hadn’t killed him at the end of DA:2, so I could use the growing resources of the Inquisition to hunt him down and crucify him.  (And I mean ‘crucify’ in the literal sense.  I want to hammer his fucking hands and feet into a cross and watch him slowly suffocate.)

Emotional investment is my benchmark when it comes to judging the worthiness of a game like this. BioWare has done that for me several times.  They’ve tugged my heartstrings several times over the years.  There are many moments throughout the Dragon Age series that bring a smile to my lips or a tear to my eye, but none of those feelings are as intense as the anger I feel when I think about Ander’s betrayal.

By my definition of “best,” that makes it the best Dragon Age game.



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I recently started a second play through of Dragon Age: Inquisition and during a conversation with Varric I had a moment of clarity.  I will share it with you now...

You don’t know what happened in Kirkwall.

Think about that for a minute.

You’ve finished playing Inquisition and you’ve discovered that most of the legends and myths of Thedas are, in fact, legends and myths.  They’ve evolved over time and been filtered through the various cultures and now they’ve been exposed as flawed and misinterpreted. This isn’t surprising or even a bad thing.  If anything, it fleshes out the Dragon Age world and gives us one more point of similarity to share with its people.

But that is ancient history, we expect it to be laid-out, trimmed to fit circumstances, prettied up and repackaged for the masses.  Kirkwall is different.  Kirkwall just happened.  Seriously, like… last year.  Everyone knows that a Mage named Anders blew up the Chantry.  The tensions between the Mages and the Templars were already at a boiling point and this act of terrorism pushed the Templars to begin the Rite of Annulment. It was the “shot heard around the world.” And it plunged Thedas into a war between the Mages and the Templars and we may never know peace. Everyone knows that Hawke, a Ferelden refugee, confronted the Qunari Arishok and, through combat or negotiation, ended the Qunari occupation/invasion.   Everyone knows these things and the rest, as they say, is history. 

But you don’t know what happened in Kirkwall.

“How can you say that?” You ask. “I was there! I was Hawke! I watched those events unfold, powerless to stop them as I fought a losing battle for the survival of my family and my city. How can you say I don’t know what happened?” 

Simply put, the story you know about Kirkwall is the story that Varric told Seeker Cassandra and Varric is a storyteller, an exaggerator, an entertainer.  He exaggerates for effect.  He rearranges the narrative to make it more entertaining. He makes things up.  In short, he lies.

He even admits it!  Tells you right up front.

“You want to talk about me? I’m flattered. Also, inclined to extravagant lies.”

He starts off each act of Dragon Age II with a story so outrageous that Cassandra (a woman desperate for a story, any story) calls him on it.  After which, he sheepishly admits that it wasn’t really true, goes back to tell a little bit more of the back-story and ends up telling her THE EXACT SAME STORY!  The one he just admitted was a fabrication!

About the only facts that you can take from DA2 are the larger arcs.  The Qunari were there. The Chantry exploded. There was red Lyrium.  Nothing in the details Varric tells Cassandra is reliable because Varric, by his own admission, was lying. 

In Inquisition, when confronted about lying by Cassandra, he boasts about it. “You’re damned right, I did.” He goes on to ask; “You kidnapped me, interrogated me. What did you expect?”

When confronted in Skyhold, Hawke too is vague about the details, deflecting questions and changing the subject when pressed. 

Modesty?

Regret?

I don’t know.

I also don’t know what really happened in Kirkwall. 

And neither do you.

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Shane Black owes me some boobies. I know what you're thinking... "Who the fuck is Shane Black?"  I feel your confusion.  Shane Black directed Iron Man 3.  Now, don't get me wrong.  I really enjoyed the movie.  There was lots of good action, cool explosions and plenty of witty one-liners.  Everything you could want from a big summer action movie so, good job, Shane.

Except for one little thing.  (Spoiler alert) I'm OK with Pepper surviving the two-hundred foot plunge into fiery doom.  The internal sci-fi logic of the movie lets her walk out of it unscathed.  Kind of. Well, not really but I'll allow it because it makes a kind of twisted sense when you follow along with the other results of the human modifications that The Mandarin is doing.  So, kind of a stretch but you at least get a sci-fi movie plausible explanation for it. However, there is no way her clothes made it through the fire.  

I don't care what that sports bra is made out of, when Pepper walked out of that fire, she should have been naked.  

Shane Black owes me some boobies.
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So, six weeks ago, at the urging of my teenager, I played Mass Effect 3.  I wasn't sure what to expect, so I picked the "action" version, figuring that I just wanted to shoot stuff.  On the advice of the teenager, I consistently chose the lower dialogue options because they were (and I'm quoting here) "More Badass." I played through the entire game in one weekend.  It was fucking amazing!  I looked on the internet to see if anyone else knew about this game and whether it would be worth getting and playing the first two...  Oh My God!  The drama!

So, I downloaded the extended cut ending material and played through again.  This time I chose primarily paragon and had a completely different, but no less amazing gaming experience.  Then I downloaded the Laviathan pack and played through a third time.  Then I went out and bought the trilogy, downloaded every available playable DLC for all three games and played through the entire thing.  Mind blown!  The team at bioware is to be commended on every level.  I know there was controversy about the way the original ending played out but I didn't really experience it so I can't comment on it.  I thought that each ending that I was presented with ( and I played all four) was satisfying and well thought out...  on second thought, the "I refuse to play your silly game" option was kind of a rip off.  Oh well, you can't have everything.

For the playthrough of the entire series, I chose to play as FemShep.  I figured if I was going to be looking at this character for a hundred hours, I might as well make her fun to look at.  I think her voice actor does a better job than the male version, but that could just be that I like her voice.  On my journey through the entire series, I discovered the romance option and immediately fell in love with Liara.  I remained true to her through the series despite an occasional stray thought in ME3 about the very tempting and amazingly cute Samantha Traynor.   I'm pretty sure we were making a little Asari in our last intimate moment on the Normandy and for that reason, I have to go with the "destroy" option as my ending of choice.  It's the only one where I live and get the opportunity to see my kids.

Have you played all three games?  Were you renegade or paragon?  Who did you romance?  Which option did you choose in the end and why?  Did you save Ashley or Kaiden in the first one and do you think it was the right choice?  (I saved Ashley.  Never again.)
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I never watched Buffy the Vampire Slayer when it was on TV.  I saw the movie and really enjoyed the campy perspective that it brought to the idea of the Super Hero and didn't think that it would translate well onto the small screen.  Besides, it was a joke.  The whole damn movie was a joke poking fun at movies like that and, really, how many episodes would it take for that to get old?  I was figuring three.  So, I never watched it.

Last year I got Netfilx and noticed that it was available and put it into the "Yeah, I should watch that some time if I ever get around to it which will probably be never" category.  Well, "probably never" came around sooner than I thought and I started watching it.  Actually I forced myself to watch the first episode, just to get it out of my system so I could tell my friends I tried and move on with my life.

The episode summaries read like really bad fanfiction.  I mean "really bad, there's no way in hell I'm going to read something that contrived and stupid" fanfiction.  But I really enjoyed the first episode.  

At that point, I read the summary for the second episode and it was groan worthy.  So I figured the first episode was a fluke and I was better off leaving it there and just savoring the good.  Quit while you're ahead and move on...  Well I got bored one night and watched the second episode and then I realized what I needed to do.  

Stop reading the summaries.

So, that brings us to season 3:  Prom.

I knew Angel was going to show up.
I knew they were going to dance.
I knew it was going to happen.
It was the biggest effing cliche in the whole effing world and I knew it was going to happen from the very start of the episode.

I still cried.  I think I'm going to cry everytime I hear "Wild Horses" for the rest of my life.

Damn you Joss Whedon!
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